Sketches from MCM Manchester Comic-Con, 19 - 20th July 2014. Venkman, Fassbender Magneto, Mikey and Batgirl.
Blood Blokes #4 is now available to pre-order!
"In this issue, Douglas teaches Vince how to hunt for blood from high above the drunken crowds of Oxford Road, while Tamara meets a very inquisitive gentleman among the goths and rockers in Jilly’s Rockworld."
Above is a preview of the title page double page spread and Tamara swaying away on the Rockworld dance floor.
Also check out that back cover by the immensely talented Paul Duffield (The Firelight Isle). The issue also contains back up illustrations by Warwick Johnson-Cadwell (Tank Girl), Andy Bloor and James Lawrence. Thanks to all these guys for doing them and at such short notice too!
James even did TWO pin-ups for me so I had a choice! What a legend. I’ve included the one we didn’t use here. I’ll show more of the pin-ups once the issue is out.
And the lovely lovely Rachael Smith sent me this suggested ending so I didn’t have to bother drawing another 3 issues. She’s a funny one.
I’m feeling pleased with this issue. I certainly took my sweet time on it. I’m happy with the sense of place in the comic. It’s definitely Manchester and not just because it buckets it down for half of the issue. I was happy to include the now closed Jilly’s Rockworld in there (it’s a Tesco Express now) and a few other Oxford Road locales.
I’m happy with the characters’ voices too. We spend more time with Jim and Tamara in this issue and I’m happy with how they came to life on the page.
Anyway, if you buy the issue you have my thanks and I hope you enjoy it. I’ll get working on issue 5!
House Party by Rachael Smith is released today through Great Beast Comics. Here’s my pin up from the book featuring a very hungover Siobhan.
There’s a free launch party tonight at Orbital Comics, London from 7pm - 9:30pm and we’ll be at ELCAF tomorrow in Bethnal Green (also London) from 10am to 7pm.
steveneverypony said: Hi! I was wondering if you would be willing to give me some recommendations for any good British/European comics that most wouldn't see in the states. I'm asking because I'm looking to expand my horizons in terms of the stuff that is out there as well as build my collection heh.
Heh. This has been sitting in my box for a while, and I’m going to take a quick shot. This will be off the top of my head, so apologies. And I’m going to limit to comics that were published primarily and originally in the UK. So - say - we’d get a British creator’s work for 2000AD but not their work for a US publisher.
(It’s one of the jokes that go around is that RUE BRITANNIA, arguably the most British comic published in the last ten years couldn’t get nominated for the British comic awards. But still - that’s the way I’ll be framing these)
Also worth noting my European Comics knowledge isn’t the best in the entire world. I’ll be talking about stuff I just dig.
The archetypal modern Brit-comic anthology. Around since the late 70s, and has all manner of great stuff by people you probably get in US comics. Random faves off the top of my head…
Any NEMESIS THE WARLOCK (Inc TORQUEMADA THE GOD) - any time anyone asks me what artist I want on a project, I always say “Kevin O’Neill. From the early 80s.” This is why. NEMESIS is what I gave to Fraction, by way to explain why Brit creators tend to be wired the way they are. This is what kids comics were in the UK.
ABC WARRIORS: THE BLACK HOLE - approximately 60% of how I write team books is entirely lifted from this.
BAD COMPANY - And the other 40% from this.
THE BALLAD OF HALO JONES
SHAKO - which I tributed lovingly in the first issue of ORIGIN II
SLAINE: THE HORNED GOD
And a lot more, obv. I haven’t even mentioned any DREDD, y’know?
Assorted other anthology-based stories I dig…
CHARLEY’S WAR - if you like Ennis, this is basically the Rosetta Stone. It’s the single biggest influence on my UBER as well.
HOOKJAW: Basically Shako, but even less ethical. Astounding.
Let’s move off that, as it’s easy to get hung up on the Brit anthology stuff, as it’s the pulp pop end, and that’s arguably similar to the US end of things. The sort of pick-up of 2000AD by the current wave of critics seems to remind me of the 90s love of Hong Kong action cinema, if you see what I mean.
I mean, if you’re looking for another tradition - the actual mainstream cultural thing - go look at WHEN THE WIND BLOWS and GEMMA BOVERY.
If you want to look at the British 80s indie underground, start with Eddie Campbell’s ALEC books, which have been collected in the enormous and essential ALEC: THE YEARS HAVE PANTS. Go onto stuff like ABE: WRONG FOR ALL THE RIGHT REASONS.
Oh - HUGO TATE, which is also just been put in a nice collection.
Paul Grist? You know Paul Grist? He’s published via IMAGE recently, but his background is here. KANE is fantastic, but JACK STAFF is wonderful too. Also his collaboration with Grant Morrison SAINT SWITHEN’S DAY is one of my favourite single issue things ever.
(And is probably going to be pastiched in THE WICKED + THE DIVINE at some point.)
Oh - LUTHER ARKWRIGHT is another founding text of what you’ll think of the 80s British invasion. I’ve ripped off the first volume several times.
And TANK GIRL, obv.
THE NAO OF BROWN - Ludicrously good looking.
THE PHOENIX - one of the best kids comics in the world, sez I.
SELF-MADE HERO are publishing really interesting work, and is worth browsing their entire catalogue. I’m always interested to see the adaption work they publish, and their THE MAN WHO LAUGHS by Hine/Stafford is a real tour de force.
NO BROW are also doing great and beautiful stuff. You can start anywhere, but the Luke Pearson stuff would be my suggestion.
Worth noting that while they’re both British publishers, not all their work is British.
Quick fire stuff!
Anything by LIZZ LUNNEY
Oh - and they’re bringing back STRANGEHAVEN which makes it a great time to catch up with its slow-slow-slow Prisoner in the North of England vibe. First comic I ever bought at a British Comic con, for the record.
Late addition! If you want a single volume overview of a lot of British talent from a lot of generations, NELSON is a great project. Basically an exquisite corpse story, passing between creators, telling the story of one woman’s life.
Okay - that’s longer than I wanted it to be, and not as long as I’d like. Sorry for all my faves I’ve missed, but this will get you going.
And as it’s so long, I’m going to boil all of Europe down to THE METABARONS and go and have more tea.
(Not that the Metabarons is actually created by French people, of course. TANKING-U PENDANTS.)
Yeah, read some BLOOD BLOKES! :D
Who knew Lion-O would be a character in Dark Souls 2?
Blood Blokes #4 cover.
Issue 4 of Adam Cadwell’s vampire comedy Blood Blokes is well underway and due for release in late April. Here’s the ghoulish cover starring Douglas, who puts the dead into deadpan.
A Cadwell Family Christmas 2013.
Completely inspired by Kate Beaton’s wonderful and hilarious family comics (read them on her Tumblr), I thought I’d make a few while home for the holidays. I hope you all had a Happy Christ Mask and didn’t leave the sofa once!
Thought Bubble Commissions 2013.
"Draw yourself Drawing"
Rates for commissions are £15 for A5 B&W, £20 for A4, for colour add £10. Prices include postage within the UK. Email firstname.lastname@example.org for more info.
I’ve recently redesigned and updated my portfolio website, adamcadwell.com. It contains all my personal and commercial work and there’s over 50 pages of comics to read for free too.
I’m also making Tumblr my new official blog. There’s an archive of my old blog tucked away on my website here.
Please take a look around, I hope you find something you like.
The Thought Bubble Anthology 2013 from Image Comics is out TODAY! I’ve illustrated a one page story by Clark Burscough called Prey and I’m really pleased with how it came out. This is the first time I’ve “inked” a comic with pencil and I really pushed myself with the colouring. Here’s a couple of preview panels of a big, blue, monster guy.
If a big, blue, monster guy wasn’t enough for you (what the hell is wrong with you?) then you should know the comic is chock full of talented creators (more info here) AND all profits go to the Barnardo’s children’s charity. I think you should probably buy it.